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Thread: Disneys New 'Star Wars VII' Is War Propaganda

  1. #51
    Junior Member WisconsinCheeseNip's Avatar
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    From
    WI
    "news is something someone wants suppressed. everything else is just advertising"




    in the new doctor who shows abysmal sci-fi show script, some people are waiting in line at a lunch truck when the server exclaims, "did you hear, obama is going to be on the tele to explain his plan to fix the economy," and on the same show, an evil alien is grilling a scientist on the whereabouts of a space travel portal, the scientist exclaims shaking in fear, "i won't tell you if its going to damage homeland security", (cough gag) homeland security in great britian? are the powers that be ever shamed by the broadcast tv fascist dogma? 'Homeland', the unnecessary all seeing eyeball of endless big brother police secrecy, though no one ever understands why, because there is no answer, the reason for constant homage to the State security is merely because big brother says so, and is not to be questioned, and of course, this is the fascist dogma on State TV we are subjected to, but, it is rather sickening the level to which hollywood actors will sell their soul for their high living standard, will give their allegiance to State fascist policies, endless death entertainment, bolster the use for torture in the scripts, and throw morality completely out the window.

    Lights, Camera; Covert Action: The Deep Politics of Hollywood
    https://alethonews.wordpress.com/201...-of-hollywood/

    False Flagging the World towards War. The CIA Weaponizes Hollywood
    https://alethonews.wordpress.com/201...zes-hollywood/

    Why is Hollywood Rewarding Claire Danes and Mandy Patinkin for Glamorizing the CIA?
    https://alethonews.wordpress.com/201...izing-the-cia/

    it was reported that amal clooney, georges new wife worked for a law firm and that she represented as legal counsel for tyrannical government of bharain who has been, with american support, disappearing people, torturing its own ciizens, indescriminate killings and oppression, so you can see how the liberal establishment is knowingly complicit in evil dictatorship regimes, use their connections to propigate false war narratives in film, become 'connected' thru democrat donations, nefarious ngo plots, connected to astroturf state dept think tanks focus groups used to bolster control and globalist domination of the NWO.

    Hollywoods Imperial Propaganda
    https://alethonews.wordpress.com/201...al-propaganda/


    ....

    I'll take classic Doctor Who over Hollywood any day of the week .


    Doctor Who is shown commercial free, as the government run BBC is financed by $100 (pound tax) paid by each English household annually.

    Imagine Americans being taxed $100 a year to watch CNN, MSNBC News lies and war propaganda, like the British are taxed to watch BBC News lies.

    Now that's Orwellian.


    Reminds me of the classic Doctor Who Deadly Assassin, where
    the Timelords erase, re-write history to conceal facts from the public.







    Why "Doctor Who" Has Started to Suck

    ByJake Cook, writer at Creators.co

    I love movies and superheroes and sometimes I make funny videos about them
    Jake Cook

    If you aren't interested in watching the video you can read my thoughts down below:

    Ah “Doctor Who”. What a wild and wacky ride is been for this show. What started out as just some weird out dated reboot of an old, irrelevant BBC kids show, that looked like it’d been thrown together in a weekend, quickly morphed into something that all ages can enjoy. Once it managed to find its feat, “Doctor Who” went off running, taking all its fans with it on one crazy ride through all of time and space, and reminded us of why, all those years ago, the show managed to develop and maintain such longevity. Now, here we are, 10 years since Christopher Eccleston graced the small screens as our sassy Northern Time Lord to only then be immediately replaced the same year by the sexiest, coolest time lord ever, and the show is finally beginning to reveal to us all just why it was cancelled back in 1989.

    Doctor Who has now become a bad show, like really bad too, and we as fans can’t just sit around ignoring this anymore, because it isn’t healthy for anyone to pretend that everything is ok still. We can’t just keep thriving off our nostalgia for the Doctor and how amazing he is. We need more than that and we’re not getting it anymore people. This show use to be filled with complex characters and interesting plots and stories that gave us oh so many feels. Now everything seems flat and boring, like we’re just retreading the same waters over and over again, and we’re not getting anywhere or moving even the slightest bit forward, and a big part of this is the characters we have with us. If you can even call them that, since no one in this show no longer actually has any character or personality. They’ve all become defined by one particular trait or emotion and can never be anything more than that.

    Vastra and Jenny are two characters who feel the need to bring up the fact that they are married ever 5 fucking minutes. We know, we get it, it’s great, good for you, now how about you try not defining yourselves by your relationships? because I’m sorry to break this to you but being gay is not a personality. Sure it can be part of your personality, but there are other thing that make that up too. You’re a Victorian maid and an ancient lizard creature from earths core with an alien butler who go around fighting crime and solving mysteries, how about we try talking about that instead of unnecessarily fetishising you’re relationship?

    And it’s not just the side characters that are like this. Clara Oswald is one of the worst companions the show has ever had. I don’t care how hot or how great Jenna Colman is, Clara Oswald is completely uninteresting and useless. When she first showed up she was at least a little interesting because she was “the impossible girl”. We didn’t know where she came from or why she kept turning up. Then it just turned out she just jumped into the doctors timeline and saved him from death or some shit, and that’s it. That’s why she is here, to do that. Her entire being revolved around her accomplishing this, and as soon as she did the reason for existing was gone, and now she has nothing. That’s it, all done. She has no purpose anymore, nothing to do in the show. She’s basically a glorified plot devices. She doesn’t do anything in any of the new episodes. She’s completely interchangeable. You could seriously of put any one else in her role and it would of been the same. Even when she’s in mortal danger surrounded by murderous robots who want to steal her organs she’s just like “this is fine, the doctor will save me”. Just because she was right, doesn’t make this ok!

    The companions are so important to the show. Every big moment in the Doctors life that resulted in him undergoing a big character change, happened because of the companions around him. Rose helped 9 to realise that he’s turned into the thing he hated most and because of this he learnt that the most aggressive option isn’t alway the best. That’s important development that carried on throughout the whole series. Now when there’s an interesting moment that looks like it might result in some kind of character development, the very next episode its forgotten about.

    Which brings me to another big problem, the show has now become so allergic to continuity that they aren’t just forgetting things in-between season, now they’re forgetting things in between episodes. It’s like no one on this show actually collaborated or even tried to make things link even slightly. They just picked a bunch of scripts out of a bucket somewhere, changed the names and said “yep! this’ll do!”. Important things that are bought up in one episode are completely forgotten about the next episode, and by doing this they’re robing the characters, especially the doctor, of a chance to grow, and allowing us to become attached to them. Which I can only assume they’re doing ‘cause, we’ve stuck around this long so surely we’ve become attached enough and now they can stop being interesting. Well hey guess what, that’s not how this works. If the characters don’t develop, they become boring and uninteresting. If the characters aren’t interesting and are boring and un-relatable then theres no reason to care about them. If I don’t care about them, then I don’t care about your show, and by pretending that things that happened in others episodes didn’t happen, and that previously established rules don’t apply anymore, then there’s nothing for me to grab onto in this show, and theres no need to continue watching!

    They’re clearly getting desperate for ideas now, since the episode “Into the Dalek” was essentially just a retread of the episode “Dalek” from season 1. They even stole the line about being a good Dalek. Didn’t think I would notice did you? well you know what? I did! And also apparently now they can just take any fictional character and pretend that they were real. Shoe horning in Robin Hood like that was terrible, and trying to pawn it off as just a bit of lost history is bullshit! He wasn’t real! Everyone knows this, and a fucking teacher would definitely know that!

    I haven't even gotten to why the Master being a woman now was so terrible. And no, before all the feminist jump down my throat, it has nothing to do with him being a her now. I’m fine with that, I’m on your side. What I’m not fine with is the way this lead to the character being treated, which was a huge step backwards, when this should of been a big step forwards! and quite clearly the change was only made so that they could take all the gay jokes about the master a step further without making the doctor kiss a man. Because God forbid our hero show any sign of homosexuality or femininity, right? The Master was a fantastic Villain. He was an ego maniac with a superiority complex that desperately what to take over the universe and prove to everyone he was the greets being ever, but the only way to do that was to destroy the doctor. His obsession with The Doctor was one of many layers and it was interesting and compelling to watch. Whereas now, Mistress’s motivation is because she “love’s” her “boyfriend” so much and wants to prove it too him by doing crazy things that make no sense. She had an absolutely brilliant and unbeatable plan and she gave it all up just to make the man she loves happy. The Master has gone from being a criminal mastermind and the Doctor’s answer to Moriarty, to just some crazy stalker ex-girlfriend. That’s super diminishing to character, and to make it even worse nows he’s (sorry she’s) just another poster child for why female sexuality is dangerous and evil, and why with out men in their lives controlling them women will destroy us all. It’s maddening to watch. Oh and also, this is a visual medium so how about instead of just having Master, sorry, Mistress tell us every 5 minutes about how crazy and evil she is you just show us how crazy and evil she is. The thing about most crazy people is they don’t know they’re crazy, so having her running around yelling “I’m so banana’s!” is pointless, annoying, and juts bad writing.

    That is what’s truly disturbing about this. Is how quickly the writing has gotten more noticeably bad in recent times. I mean, I think people have to admit that Moffat wrote some good shit back in the day. But the thing is, everyone still seems to think that everything going on in doctor who is fine. We’ve gotten so comfortable with the show and ignoring its plot holes that we’ve become too comfortable, and we’ve allowed the writers to get lazy and it’s not ok anymore. I’m sorry doctor who but you’re show just isn’t doing it for me anymore. Your time is up, and you need to move on just as the rest of us do.

    https://moviepilot.com/posts/3610060


    Why David Tennant’s Doctor Who Sucks
    By Barry Quinn

    "David Tennant is loved by the masses – in particular the fangirls – for his witty tenure laced in grief. It was a tenure characterised by his love for Rose Tyler, his banter with Donna Noble, the frequent return of classic-era monsters, and a tumultuous amount of grief. Boy, was it a sob-fest.

    But David Tennant’s 10th Doctor, in hindsight, sucks – though, admittedly, this could probably be argued for every single Doctor thus far. But he does suck for a lot of reasons, most of which swirl around the character of Rose Tyler."

    Why David Tennant?s Doctor Who Sucks

    In the new doctor who shows abysmal sci-fi show script, some people are waiting in line at a lunch truck when the server exclaims, "did you hear, obama is going to be on the tele to explain his plan to fix the economy," and on the same show, an evil alien is grilling a scientist on the whereabouts of a space travel portal, the scientist exclaims shaking in fear, "i won't tell you if its going to damage homeland security", (cough gag) homeland security in great britian? are the powers that be ever shamed by the broadcast tv fascist dogma? 'Homeland', the unnecessary all seeing eyeball of endless big brother police secrecy, though no one ever understands why, because there is no answer, the reason for constant homage to the State security is merely because big brother says so, and is not to be questioned, and of course, this is the fascist dogma on State TV we are subjected to, but, it is rather sickening the level to which hollywood actors will sell their soul for their high living standard, will give their allegiance to State fascist policies, endless death entertainment, bolster the use for torture in the scripts, and throw morality completely out the window.

    Lights, Camera; Covert Action: The Deep Politics of Hollywood
    https://alethonews.wordpress.com/20....-of-hollywood/

    False Flagging the World towards War. The CIA Weaponizes Hollywood
    https://alethonews.wordpress.com/20....zes-hollywood/

    Why is Hollywood Rewarding Claire Danes and Mandy Patinkin for Glamorizing the CIA?
    https://alethonews.wordpress.com/20....izing-the-cia/

    It was reported that amal clooney, georges new wife worked for a law firm and that she represented as legal counsel for tyrannical government of bharain who has been, with american support, disappearing people, torturing its own ciizens, indescriminate killings and oppression, so you can see how the liberal establishment is knowingly complicit in evil dictatorship regimes, use their connections to propigate false war narratives in film, become 'connected' thru democrat donations, nefarious ngo plots, connected to astroturf state dept think tanks focus groups used to bolster control and globalist domination of the NWO.

    Hollywoods Imperial Propaganda
    https://alethonews.wordpress.com/201...al-propaganda/
    ..............................

    Life is like being a protagonist in a HP Lovecraft story if you are a life long reader of fiction, nonfiction, and history reseacher like me. The main character will uncover horrors one doesn't expect to find.

    It's like the Voltaire quote: 'History is a lie commonly agreed upon.'

    The bright side is just how great classic Doctor Who (1963 - 1986) was, before the nightmare of Bush/ Cheneys 'War on Terror propagandized and politicized the tv, movies, censored rock music, talk radio, news coverage, etc.

    In new Sci-Fi like Godzilla, or Independance Day or even Alien remakes - did anyone notice the military and weapons hardware advertising (product placement ) gets more screen time than the monsters or character dialogue ?


    ( whereas todays movies and shows are busy, gaudy, overly opaque homages to Burtons first Batman blacks, or fleeting green screen or CGI, the sterile deck of the new Star Treks )

    When Mel Gibson / DeNiro get $20 million each to do WAR PROPAGANDA recruiting movies like "MEN OF HONOR" OR "THE PATRIOT" like Robert Redford / Brad Pitt flick "SPY GAMES" - ISN'T THE MILITARY/ ESPIONAGE INDUSTRY ADVERTISEMENT A LITTLE OBVIOUS?



    ..........

    The sets in classic DOCTOR WHO were beautifully and masterfully designed.

    Look at Keeper of Traken, or the realiism of Genesis of the Daleks bleak battlefield.








    The actors put so much into great classic Doctor Who that they ad- libbed or like Lalla Ward said, (Romana) that her and Tom Baker re-wrote their lines.


    "We used to have the most awful problems with our writers. Tom and I used to have the rewrite most of our dialogue with the director, usually because it wasn’t right for the parts we were playing. And it happened from the very st art. Our actual rehearsal time, which was incredibly tight, was reduced still further as a result. So the programme was always a heavy workload – we had this responsibility for the show and we were doing so many a year against the problems of a small budget and scripts that we wouldn’t have done without at least an element of rewriting."

    https://drwhointerviews.wordpress.co...lla-ward-1985/

    I just watched 'Power of the Daleks' Patrick Troughton first episode, the only surviving footage is in stills -

    Patrick envisioned the Doctor as a sort of wandering 'space hobo'.



    Here are two interviews w/ Susan from the Hartnell era, and 4th Doctor Tom Baker:




    Carole Ann Ford:


    "There was a row at the BBC. “A lot of people did not want Doctor Who to go ahead. The people high up were against putting money into children’s programmes, which is how they considered it at the time.”

    edit

    "Still, she managed a mesmerising strangeness. It’s also striking how much of the modern Doctor Who can be traced to those first shows – from the theme tune to enduring ideas about who the Doctor is and why he is travelling. Remarkably, many were made up on the spot by herself and William Hartnell, who played the lead. “Bill and I put together a back story because we had to. You can’t act something unless you know what is behind it. We created the fact that he had done something to annoy the other Time Lords and they decided he had to go.”

    http://www.telegraph.co.uk/culture/....ng-career.html



    Doctor Who's Tom Baker: BBC bosses were monsters – but I'd come back


    "Doctor Who star Tom Baker has hit out at BBC bosses, saying they were a bunch of "monsters" who were no better than the Daleks. The Mirror reports that the actor, who played the Doctor from 1974 to 1981, said at the launch of the Horror Channel's season of classic episodes: "The monsters on Doctor Who were never so amazing as the monsters on the sixth floor of the BBC. There were some improbable looking people there." The former Time Lord added: "If someone gave me two wires now and said 'You could blow up the BBC' I'd be tempted." But Baker, who quit after falling out with the show's producer, admitted he didn't want to leave: "I was always happy. I didn't want it to stop."


    https://www.theguardian.com/media/20...osses-monsters



    The best Doctor Who episodes by performer and Incarnation:

    1. Tom Baker
    2. Jon Pertwee
    3. Colin Baker
    4. Patrick Troughton
    5. William Hartnell






    SUBVERSION OF POLITICAL ISSUES FROM WITHIN BBC AND GOVMNT ESTABLISHMENT:

    Even the awful writer of Tom Bakers final season admits he
    hated Doctor Who:

    Christopher H. Bidmead (1988)

    "Robert Banks Stewart was talking to John Nathan-Turner, who was looking for a script editor. Bob mentioned my name as a writer he’d enjoyed working with, but what he didn’t know was that in the interim I’d been writing a lot of scientific and technical stuff, dealing with computers and gadgetry, which I thought equipped me very well for ‘Doctor Who’.

    “I then had to confess to John and Barry Letts that I didn’t actually want to do ‘Doctor Who’, as it had got very silly and I hated the show. "


    https://drwhointerviews.wordpress.co...script-editor/

    Barry Letts (1989)

    Terror of the Autons

    “When we made ‘Terror of the Autons’, there were big leading articles in several newspapers complaining bitterly about what we’d done. We even had a letter from Scotland Yard about the policemen who turned out to be Autons, saying ‘Don’t do it again’. I think we did go over the top, but when you think of it, the most terrifying things are ordinary things that can’t be trusted. If it’s a monster, it’s a monster, you know where you are. But if a toy comes to life and tries to kill you, it’s not so funny. They kept a very close eye on us a fter that, and we made sure we didn’t do that sort of thing again, although things like ‘The Daemons’ came close to it."


    https://drwhointerviews.wordpress.co...ry-letts-1989/
    Last edited by WisconsinCheeseNip; 23rd February 2018 at 12:07 AM.

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